This project benefits from financial support by the French Ministry of Culture and Communication (aide à la maquette du DICRéAM (09)), by the Région Languedoc Roussillon (aide à la création multimédia), and from a residency at the CNES La Chartreuse, Villeneuve lez Avignion.
Shifts, interruptions, cuts, flux variations, temporary vacuums and coding errors in and between the images, are the aesthetic materials of the performance that will translate the possibilities and the limits of our capacities to be together in a cyberized environment.
February 12 2010, 8:30pm HTTP London, 21h30 Kawenga Montpellier
Sitting before webcams in different locations around the world, they performed a sound piece using a simple protocole. It was more an artistic experiment than a traditional musical performance. It's qualities lay in its fragility, in the necessary attention, in the gaps and in the performers humanity while negotiating their presence during the performance.
*Each performer chooses four objects :one red, one green, one yellow and one blue.
*Each performer will have an assigned color.
*The performers can change the object in front of their webcam at any time of the performance.
*The performers will only use their mothertongue.
AGF (Antye Greie), born and raised in East German is a singer, digital songwriter, producer, performer, e-poet, calligrapher, digital media artist known for artistic exploration of digital technology through the deconstruction of language and communication within music and abstract sound poetry.
Helen Varley Jamieson is a writer, digital artist and theatre practitioner. Much of her work experiments with cyberformance - using the internet as a site for remote performers to collaborate in real time. At the moment, she is at home in New Zealand.
Maja Kalogera is an intermedia artist. Her projects encompass broad range of works including paintings, photography, performance, programming, networks and space.
Pascale Gustin : When I was five, I was breaking my toys to see what happened inside. Now I explore our technical and technological tools through multiple levels of language : breath, cries, letters, words, writing, algorithm... And what happens? I hope for a coming together of feelings and the concrete world. Maybe we can call that "digital poetry"...
Annie Abrahams was born to a farming family in a rural village in the Netherlands. She obtained a doctorate in biology and found that her observations of monkeys inspired curiosity about human interactions. She now is an artist working on the possibilities and limitations of computer mediated communication.
"this is a totally potential performance opportunity, very interesting" from Antye's blog post on this event
Collaborative improvisation from the void Helen's blog entry on furtherfield about this experience
(Réactif) de Pascale sur son blog
"All went well during the tests, some micro-hisses, but we managed to contain cache, browser and connection problems. Not now, sitting beside the projection in HTTP, watching my administration interface, I saw some images freeze, and the non frozen performers wait, as I did. "Never panic" was the motto and so we didn't. I started contacting and later guiding some of the performers by chat. Helen didn't have any return at all, she was as if deaf and blind, nevertheless we saw and heard her. Maja's connection failed completely after 5 minutes, so we lost her in the process.
Huis Clos / No Exit - Jam is part of the Huis Clos / No Exit artistic research project by Annie Abrahams